Category Archives: Hard Weird

“Exiled In The Desert”: A review

Posted on April 7, 2020 by

Recently I picked up that anthology because I know a number of the people who wrote stories in it and the price was right. One of the stories happens to be written by the guy who runs my Sunday night … Continue reading →

Posted in Artists That I Admire, Hard Weird, On Writing, pulp revival | Tagged , , , , , , , | 2 Comments

Life Is Just A Party And Parties Aren’t Meant To Last

Posted on January 4, 2020 by

When I was putting together the stories that comprise Bad Dreams & Broken Hearts I wanted to include some kind of supplemental material from the world of Dracoheim. It seemed to fit the feel of the work, like the map … Continue reading →

Posted in Artists That I Admire, Bad Dreams & Broken Hearts, Hard Weird, New Wave, On Writing | Tagged , , , , , | 4 Comments

In The Year 2020

Posted on January 2, 2020 by

Okay, so writing 2020  as the date is probably going to freak me out all year. But let’s leave that aside and talk about my intentions for the new year. Last year I set my goal too ambitiously and I … Continue reading →

Posted in Artists That I Admire, Hard Weird, New Wave, On Promotion, On Publishing, On Writing | Tagged , , , , , , , , , , , | 2 Comments

One Hundred Five Thousand Seven Hundred

Posted on December 27, 2019 by

Yesterday I posted a list of my 2019 publications. Compiling that list was an interesting experience. For one thing, it was more than I had thought I had done–I tend not to spend much time thinking about what I’ve done, … Continue reading →

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Sins, New and Old

Posted on November 23, 2019 by

The fourth volume of Chastity Nicole and Debbie Manber Kupfer’s Sins Of Time series of themed Horror/Dark Fantasy anthologies is out now. I’ve kept my streak going, I have a story in all four volumes. It’s a series that has a … Continue reading →

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Beyond The Great Divide

Posted on November 18, 2019 by

Stories written from an alien viewpoint, while long a staple of SF/F, are hard to do well. They involve a kind of semiotic tightrope–if the language and concepts involved are too alien, the story becomes too hard to decipher to … Continue reading →

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